Pokémon & Japanese Craft Exhibition Coming to JAPAN HOUSE July 2023

Supervised by the National Crafts Museum in Kanazawa, Japan, with special support from The Pokémon Company, the exhibition features over 70 works of varying materials and diverse techniques created by twenty of Japan’s most accomplished craft artists, ranging from a living national treasure, the metal artist Morihito Katsura (b.1944) , to exciting young artists like Taiichiro Yoshida (b.1989), also a metal artist. The artists were challenged with the task of using their skills and ever-evolving techniques – in lacquer, ceramics, textiles, metalwork, and other media – to creatively channel the world of the globally popular Pokémon brand.

The original Pokémon games were developed by GAME FREAK and published by Nintendo in 1996 for its Game Boy console. A tremendous success in Japan, the origina l games were released within a couple of years in the US and expanded rapidly, with new generations of Pokémon games being launched over the years, as well as trading cards, animated tv shows, movies and all sorts of toys, clothing, and other merchandise. Pokémon maintained its position as a leading entertainment brand, but re-entered the global spotlight again in 2016 with the mobile game Pokémon GO, which has been downloaded more than 1 billion times since its launch. The various Pokémon in the game, like the Electric-type Pikachu and the Fire/Flying-type Charizard, are fantastic creatures with characteristics resembling real-world plants, animals, minerals etc. and each possessing special powers that can be used in battle against each other. In the game, players collect and train Pokémon during their adventures, trading them with other players and battling their Pokémon against one another.

At first thought, there does not seem to be much in common between Pokémon and Japanese craft, yet there is an elemental connection between the two worlds. Just as there are distinct Pokémon types – Grass, Fire, Water, Ground, Steel, Electric, and more – most of Japan’s principal crafts are created using grass, fire, water, earth, or metal, with contemporary fabrication facilitated by electricity. In Japanese ceramics, for example, clay is mined from the earth, mixed with water, and then formed often with the help of an electric potter’s wheel, decorated with mineral and metal oxide pigments, and baked with fire in a kiln. In addition, within the world of Pokémon, players are expected to hone their skills, nurture their Pokémon, and collect these creatures, just as artists train hard developing their craft and art enthusiasts and museums avidly collect their works.

The exhibition is arranged in three main sections presenting ways in which Pokémon and the craft artists challenge each other in a playful encounter, or in Pokémon terms, “in battle.” In Appearance, the craft artists challenge the Pokémon depicting their forms as well as their skin or fur, gestures, and expressions. In Stories, the artists again challenge the Pokémon, imagining their world, their adventurous journeys, lives, evolutions, and inherent special qualities. In Life, the Pokémon in turn challenge the artists to enrich our lives and play an active role in our world by incorporating Pokémon into crafts used in contemporary life.

Each section features works crafted in diverse media with extraordinary skill, imagination, and an impressive understanding of Pokémon. For instance, in the Appearance section, metal artist Taiichiro Yoshida recreates one of the beloved Pokémon, Eevee, in its original form (a four-legged, furry creature) and its three first-generation evolutions, the more formidable Jolteon, Vaporeon and Flareon. Using hand-made chisels, Yoshida cuts copper plates and digs patterns into their surface to form small pieces symbolizing each Pokémon’s type. Each piece is then colored using a technique unique to the evolutionary process of that Pokémon, such as plating with electricity, or a chemical transformation through fire. The small individual plates are then assembled to create each three-dimensional work.

For the Stories section, celebrated textile designer Reiko Sudo invites the viewer to enter the magical world of the franchise’s most recognizable Pokémon, the yellow Pikachu. With her “Pikachu Forest,” made up of over 900 strands of lace suspended from the ceiling, in four distinctive designs, each containing Pikachu, the artist invites the audience to enter a forest overflowing with yellow light inhabited by Pikachu. In the final Life section, ceramic artist Keiko Masumoto uses traditional techniques and styles to create highly original works that fuse Pokémon and vessels. In her Shigaraki ware vases, Charizard, Charmander, Moltres, Vulpix and Ninetales all emerge from the clay. For Masumoto, this is the first time she has made full-scale Shigaraki pottery using a wood-fire kiln. She says, “Until now I had no motif, I wanted to express with Shigaraki ware, but this time, it just clicked.” These Pokémon are all Fire-type Pokémon, with Vulpix evolving into Ninetales when exposed to a fire stone, making the Shigaraki jar, an midieval unglazed ceramic style in which fire creates burnt designs on the jar’s surface during firing, an inspired choice.

This unique exhibition, which represents a rare collaboration between the video game world and some of Japan’s most talented craft artists, has resulted in spectacular works of art that are sure to delight and amaze art lovers and gamers alike.

Dates

• 07.25.2023 (Tue.) – 01.07.2024 (Sun.)

Hours

• Mon. – Fri.

  11:00 AM – 7:00 PM (PDT)

• Sat. – Sun.

  11:00 AM – 8:00 PM (PDT)

Location

• JAPAN HOUSE Gallery, Level 2

Fee

• Free